AITA for walking out of a theatre show dinner after my fellow cast members say I only got my role by being a straight white male?

Landing a major role in a musical usually comes with applause, congratulations, and a sense of pride. For one actor newly cast as Captain Phoebus in The Hunchback of Notre Dame, it came with something far heavier: doubt. While celebrating with fellow cast members at a dinner, he opened up about feeling like an impostor and questioned whether he truly deserved the role he had earned.

What followed clearly wasn’t the reassurance he hoped for. Instead, his castmates leaned into the idea that his success came down to being a straight white man, leaving him stunned, hurt, and quietly walking out. Beyond the awkward dinner moment, the situation struck a nerve online. People weighed in on privilege, jealousy, emotional labor, and whether a workplace—especially one as emotionally charged as theatre—is ever the right place to lay bare personal insecurities.

AITA for walking out of a theatre show dinner after my fellow cast members say I only got my role by being a straight white male?

Everything started with the excitement of landing another major role on stage, something familiar to OP.

So I'm currently doing a musical, the Hunchback of Notre Dame and I got cast as one of the lead roles, Captain Phoebus. Throughout my life, most of the musicals...

As the conversation turned more personal, OP tried to acknowledge privilege while opening up emotionally.

I acknowledged the other day that being a straight white male has advantaged me in theatre, I'm one of two straight men in the entire show actually, the rest of...

Hoping for reassurance, OP instead felt the ground drop beneath him during dinner.

I told some of my cast members at a dinner that I have imposter syndrome, and sometimes I feel like I don't deserve to be here.

I guess I was hoping for a little reassurance, but they kind of just doubled down on it. Agreeing that I don't really deserve the large role I've been given.

Feeling overwhelmed and embarrassed, OP chose to leave without confrontation.

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I walked out of the dinner shortly after. I didn't try to cause a scene or anything, I just went silent for a few minutes, and then said I was...

This wasn’t the first time OP felt targeted over stereotypes tied to his identity.

It's the second time I've been put down for a straight white male in a theatre show. The last show I did, a group of actors made fun of me...

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"not letting girls finish first" as I guess that's something straight men have been stereotyped to do. I feel like I'm screaming at the clouds here. I understand that I'm...

keep my head down and appreciate the opportunities I'm given. But my character is this very confident soldier, and I'm finding it hard to portray that when I feel like...

Behind the confident stage presence, OP shared a much quieter struggle.

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Theatre is one of the very few outlets I have to socialize and make friends. I'm new to this city, and even though I come across quite confident and extraverted,...

Situations like this often blur the line between personal vulnerability and professional boundaries. The actor openly acknowledged that being a straight white man can offer advantages in casting, yet that awareness didn’t protect him from feeling isolated. His mistake, according to many readers, may not have been walking out, but choosing the wrong audience for a deeply personal confession.

From another angle, the cast members’ reactions reflect long-standing frustrations within theatre. Many performers from marginalized groups face repeated rejection, typecasting, or limited opportunities. Hearing a colleague voice guilt over privilege can stir resentment, especially when those listening have fought for visibility themselves. That doesn’t excuse cruelty, but it explains the emotional undercurrent behind their blunt responses.

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Psychologist Dr. John Gottman, co-founder of The Gottman Institute, has noted, “Sharing vulnerability builds connection only when there is trust and emotional safety.” Without that foundation, openness can backfire, leaving the speaker feeling exposed rather than supported. In a workplace, especially one fueled by competition like theatre, that emotional safety is far from guaranteed.

For OP, the most constructive path forward may involve separating validation from collaboration. Therapy or an external support system can help address imposter syndrome without risking professional relationships. At the same time, maintaining polite distance from coworkers who have shown little empathy may protect his mental health. A role is rarely awarded on identity alone; directors invest in talent because shows depend on it. Remembering that can help him reclaim confidence on stage, even when offstage dynamics feel hostile.

Let’s dive into the reactions from Reddit:

Many Redditors sided with OP, believing jealousy — not privilege — was the real issue behind the cast’s behavior.

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roman1969 − Dude, do you really think the Director would have risked tanking the Show for a subpar actor just because he’s straight?

Or possibly because the ‘straight’ guy is also the best one for the job. The others are jealous A Hs. Don’t let them get into your head resulting in a...

Obvious_Grand2161 − NTA. You're letting yourself get bullied by theatre kids that think its oppressive that they aren't currently on Broadway in the lead role of whatever is the current...

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They're envious fucks that are looking for every excuse in the book to excuse that you got the role and they didn't. I've watched the musical online and it was...

Obviously he's important to the story, but he's not the Hunchback. He's not Frolo. He's not the Phantom of the Opera. You didn't get the headline roll on the basis...

You got a big role and its time to play the s__t out of it and give the people a show. ​ Your coworkers are just toxic mean girls (including...

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Don't seek the validation of s__tty people. You can find plenty of supportive friends in many, many other places that will congratulate you on getting a named role on the...

mockingbird82 − NTA, and might I suggest you find a different support group in regards to your imposter syndrome? You did not do anything wrong, but it's clear the rest...

I don't know them, but it sounds like jealousy, plain and simple. Whoever was in charge of casting saw something in you. I seriously doubt this person had a checklist...

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and ignored everything else, such as your acting ability, while making their decision. OP, you're clearly going to have other people trying to sabotage you; don't do it to yourself.

GarbageNo2639 − NTA sexism/racism comes in all forms.

Others agreed OP wasn’t wrong, but warned that theatre spaces are notoriously toxic and unsafe for vulnerability.

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Arentanji − Do not share your insecurities with a group of actors.

MamaFen − NTA, but never ask a theatre group a question without expecting a spicy answer, hon. Drama is their business, after all.

[Reddit User] − OP, I cannot stress enough how much I recommend therapy. Also- Please do not share your insecurities with actors- the theater scene is the most toxic and...

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Everyone is trying to one up and do better then the other person. This is coming from someone who used to be apart of it- these people are not your...

They will tear you apart for whatever weakness they can find and exploit. I thought I had an severe anxiety disorder- finds out I was surrounded by assholes.

I did theater from 6 years old to 19, and it almost ruined my life. I let the drama seep into my life and eat away at me.

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Don’t quit theater- it sounds like your talented. But don’t make friends with these people- be friendly but keep them at an arms length. Therapy and new friends. NTA.

Amazing_Emu54 − NTA Not sure why the other actors are bringing sexuality into this (doesn't acting involve a lot of pretending to be in love with people you have no...

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but sounds like a couple of other people wanted to be a lead and used some mental gymnastics to find a way to pretend that they were being discriminated against...

In reality, they showed their prejudice. edit: HoND is probably my favourite musical and I actually teared up a bit to In a Place of Miracles on the way to...

[Reddit User] − Why did you bring it up to them though? A bunch of gay performers and women who’ve probably had bad experiences weren’t going to validate your feelings...

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So you brought it up, then got mad they didn’t blindly agree? Kinda weird. ESH. Just accept your role and find another outlet to work through this guilt or imposter...

After all, the people who you knew wouldn’t agree with you probably aren’t the ones to complain to.

Some commenters felt OP unintentionally set himself up by seeking reassurance from the wrong audience.

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Real-Weird-2121 − NTA. And let's be real here, many of them are likely the same ones who say straight men won't do theatre because they are insecure and have toxic...

ReverendSpith − Maybe whining about privilege is not the best way to drum up sympathy.

jk5529977 − Kind of a crybaby move.

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redhairedtyrant − NTA bisexual lady here. I'm sure you got the part because of your talent. But, try to not expect people from minority groups to perform emotional labor for...

The world has gone back to wanting to m__der us just for existing, we don't have the bandwidth to make a straight boy feel better about himself right now.

[Reddit User] − NTA, obviously. Also, it's *musical theater*, literally the one place where being straight hasn't been an advantage in decades.

roseofjuly − I’m not in theater, but I am a black woman in a professional field. Let me tell you that one of the most irritating

and bizarre things about being underrepresented in any field is the surprising propensity for your comparatively advantaged colleagues to come seek out you looking for reassurance and coddling.

I can’t tell you how often white people come to me basically wanting me to tell them it’s cool that they have societal advantages, I’m totally OK with their unearned...

That's. ..not what I'm here for. I tell you this to give you some perspective on my response: to me it sounds like you went fishing for trouble.

You went to a group of theater performers from underrepresented groups folks who traditionally struggle to find roles, especially non-stereotypical or non-degrading ones,

throughout their careers and expected them to reassure you, a member of the group most overrepresented in the theater arts. Not only is that inappropriate from a societal standpoint, it’s...

These people are your coworkers, not your friends. If you want absolution or validation, a vent session with your friends is what you’re looking for

not begging your cast members who have probably been rejected over and over and over because of their identities.

This isn’t saying that you shouldn’t be proud of your accomplishments, or even that it’s true that you got your current role because you are a straight white man

(although knowing the role of Captain Phoebus, it’s probably true at least in part). You may in fact be a talented actor, and your imposter syndrome is probably unwarranted!

That also does not mean that you are less deserving of the role than a gay actor or a woman. It just means that when you have insecurities, you don’t...

Now, could your coworkers have been nicer? Sure. But don't go asking questions if you don't want the answers.

This situation sits at an uncomfortable intersection of vulnerability, privilege, and workplace dynamics. OP didn’t lash out or cause a scene; he removed himself from a moment that felt deeply invalidating. At the same time, the reactions highlight how emotionally loaded conversations about opportunity can be, especially among people who feel overlooked. Whether this was poor timing, misplaced honesty, or simple jealousy depends on perspective. What do you think—was walking away the healthiest choice, or should OP have handled the moment differently?

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